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So what makes this even remotely more special than your typical Migos project? Keep in mind that this is far from a great album.īut just the fact that this article exists means I found it more compelling than the ones before it (that even includes “Culture 2” to an extent). After being greatly disappointed by the other two’s solo projects, I have to say I agree. Many people have said Offset is the member of the Migos with the most solo potential. Gunna) & “Legacy” (feat.After a handful of delays, Offset has finally released his first solo outing, “Father Of 4”. Here’s to hoping that we’ll get another Migos album.įavorite Tracks: “Wild Wild West” (feat. I could definitely see “Wild Wild West” and “Legacy” making my workout playlist. However, he was able to stay in his lane and drop some really great trap songs. I don’t think Offset will be receiving any Grammy’s for this project. I would not recommend listening to the album as a whole, as the songs are very similar and don’t have much artistic value. With the addition of Quavo and Takeoff to a lot of these tracks, I think they would have stuck with me much better. The exception to that statement is “Wild Wild West” with Gunna. The weakest point of Father of 4 is that Offset is not good at implementing catchy hooks or choruses into his tracks, leaving a lot to be desired. What one member lacks, another member excels at and elevates a track to a higher level. None of these are bad themes, however, there is a reason that Migos have had great success as an entire group. He discusses his rough upbringing, drug addiction, and fatherhood. To sum up my view and experience with this project, it is an Offset album. While “Legacy” is not quite on that level and it’s missing a memorable hook, it is still a very enjoyable “flex” song. The song features great production from Southside and is considered the sequel to Without Warning’s breakout track “Ghostface Killers”. The only other track of significance is “Legacy” with Travis Scott and 21 Savage. Really great producers are able to keep the audience’s attention even if the rapper or singer can’t. I spaced out while listening to this track because Offset was boring, but I found myself bobbing my head and tapping my feet to the production. However, I would like to give a shout out to producers SwaVay and Dre Moon for their work on “Lick”. Then, we hit a string of boring, forgettable tracks. Cole’s best guest feature (he was off the charts in 2018), but he delivers a respectable verse and definitely doesn’t hurt the song.
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Offset sped up his delivery and commanded the pace of the track. This track is an immediate improvement and gave me a lot of hope for the rest of the album.
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Then, we are brought to “How Did I Get Here” (feat. Offset needs top-tier production to thrive and elevate his skills. Other than the family theme of the track, it does not feature any memorable lines and it’s over sub-par production. Not much improved, but it is nice to hear him talk about his children and how he is sorry that he’s been absent from their lives. Just as I was about to skip the track, Offset began his verse and I was forced to stick around a little longer. The lead title track begins with an insufferable spoken word intro from Big Rube. While I cannot fully endorse this album, it does have some redeeming qualities.įather of 4 did not take a great first step in my eyes. I truly enjoyed the Culture album, but other than a few really good singles, Culture II and each member’s work outside of the group have felt pretty flat and rushed to me.
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I’ll say that I have been pretty indifferent towards the Migos during their rise to the top, but it’s impossible to deny the impact that the group has had on trap music and keeping Atlanta at the top of the hip-hop scene with a new generation of listeners. With new album Father of 4, Offset became the last of the Migos to release a solo album, proving that each of the Migos have projects that they would rather work on without fielding a ton of input from the rest of the group. These rumors have only grown with Offset’s collaboration with 21 Savage and Metro Boomin’ Without Warning (2017), Takeoff’s The Last Rocket (2018), and Quavo’s collaborative album with Travis Scott, Huncho Jack, Jack Huncho (2017) and solo album QUAVO HUNCHO (2018). Fans have been speculating for the past couple of years that the group may be moving their focus towards their own solo careers. We may officially be living in a post-Migos world.